On the latest episode of Raising the Betts, the Betts are back and rebutting a Harvard Law prof’s attack on homeschooling; catching up on bird-watching and outdoor adventures; and watching shows (Ahem, Tiger King) and reading new books. Plus, the road to Emmaus and the Eucharist.
Book Review: Goodbye, Paris
I like spy thrillers and stories of terrorist hunters and the like. Sometimes, it’s called military fiction, although it’s not always about soldiers. Think Tom Clancy’s books or Mark Greaney’s Gray Man series. I recently had a chance to read and review a new book “Goodbye Paris,” by Mike Bond, the third book in his Pono Hawkins series about a former Special Forces soldier-turned-surfer. In this story, Pono is called by an old friend to Paris to help him track down a terrorist who had once captured and tortured them. Somehow, Pono is the only man alive who can visually identify the terrorist. When he gets to Paris, everything has gone wrong and now he has to scramble to save individuals and Paris itself while getting both the girl and revenge.
I can tell that Mike Bond is a poet. His word choice and the way he structures the narrative have that rhythm and flow, which makes the book all the more interesting to read, especially given its 1st-person viewpoint. That 1st person narrator is another strong point because it limits how much we can know about what’s really going on and keeps us as off-balance as the main character, Pono. The action was also well done, written so as to be clearly understood what was happening.
My reservation, what keeps me from giving the book top grades, is its bleak worldview. It’s so relentlessly defeatist and negative about Islam and France and, well, everything. Yes, things are bad, but so bad? This is illustrated by how Bond portrays the fire at Notre Dame, which in the story happened before the action begins. (As an aside, I’m not sure if this was quickly inserted after the real fire or it’s an incredible coincidence.) In Bond’s telling, Notre Dame was destroyed by terrorists, burned out, demolished into a stone shell, all of its timeless artistic and spiritual glory gone. So depressing. But in reality, Notre Dame was damaged, badly, but all of her most important treasures survived and remain for us today. The world of Pono Hawkins is a sadder one than ours.
Another ding, from my point of view, is the unnecessary amount of sexual detail. I’m no prude; I’m a married dad of five. I don’t need the sex to be described to me if you tell me they had sex. Otherwise, it’s just indulging adolescent male fantasy.
The characters apart from Pono were fine, albeit they didn’t stray too far from stereotype. The aggressive female cop, the weary bureaucrat, and so on.
Nevertheless, I still give the book four out of five stars because the premise was interesting and the plotting and action were compelling enough to keep me wanting to come back to the book and find out what’s next, how it will be resolved, and who lives and dies.
Bett for Ham
When the Broadway musical Hamilton started becoming all the rage about three years ago, Melanie was immediately hooked on it and started listening to the soundtrack constantly. I resisted at first (“I don’t like hip/hop or rap!”) but I couldn’t help hearing it and the discussing it with Melanie and then before I knew it, I didn’t just enjoy it, I was dissecting the lyrics and exclaiming the musical and playwriting genius of Lin Manuel Miranda.
Soon enough our dream was to be able to somehow go to New York and get the priceless, impossible tickets and see Hamilton with the original Broadway cast. Of course, it was never going to happen. But we consumed all things Hamilton: We watched the #Ham4Ham YouTube videos, read blog posts and articles about it, watched every news special about it, Melanie read the biography that inspired it and then bought the book that accompanies it. We even watched the bootleg YouTube videos of the play itself before they got taken down. In short, we were hooked.
Eventually, as we knew it would, the announcement came that the show was going national. Permanent performances would go to Chicago and San Francisco, too far for us. But the national touring company was going to come through Boston! I immediately got on the mailing list for the local Broadway show promoters. At some point last year, they announced that initial ticket sales would be done by lottery and so I signed up and waited… for months.
I Am Not My Stuff
Last night, I was tooling around Netflix for something to watch and happened upon a new show, Amazing Interiors. The promo had that HGTV feel and being curious about how people renovate their homes, I decided to watch. I made it through one and half episodes and turned it off.
The premise of the show is that people have these homes that look ordinary from the outside, but are “amazing” inside, with fantastical decorations or opulence or unusual accoutrements. But what I concluded is that it’s all about the stuff.
Book Review: Heading Out: A History of American Camping
Camping has been a part of my life for as long as I can remember. From before I can remember, my parents took us RV camping: in a VW microbus and then later in a borrowed Winnebago. Eventually we got a trailer camper. As I got older, I became a Boy Scout and camped with them and into my adulthood, camped with friends and family and now have introduced camping to my own family.
So, when I heard the interview with Terence Young, author of “Heading Out: A History of American Camping,” on the Art of Manliness podcast, I was intrigued to find out more about this activity that seems such a part of my life and of the American landscape. Young begins by noting that recreational camping, as such, is a somewhat uniquely American activity that has it origins in the post-Civil War 19th century due to several streams that coincided then.
First, there was the Romantic movement that in America idealized nature and natural landscapes, creating a spiritual connection to the land that was unlike what existed before. Thoreau and Emerson are prime examples of this in writing, along with Thomas Cole and the Hudson River school in painting. You also had the rapid urbanization of America, as what had once been a predominantly rural and agricultural society began streaming into the mechanized and industrialized cities where there was more wealth and opportunity, but also less privacy, beauty, and nature. There was the closing of the American frontier along with the Centennial of American Independence that recalled the once rugged character of the pioneers and frontiersmen that many people thought was being lost in modern urban hustle and bustle. Finally, there was a critical mass of Civil War veterans who all experience with roughing it in the outdoors who could act as guides and who enjoyed the outdoors themselves.
There was also a religious element to the rise of camping as well. For centuries, Catholics in Europe had headed out in spiritual pilgrimages, especially the Camino Santiago de Compestela, in which they walked hundreds of miles in a journey to bring them closer to God. Protestants, meanwhile, did not engage in such a Catholic activity, laced as it was with popish “saint-worship”. But there was still a felt need to make a spiritual connection by getting away from every day life. This coincided with Romanticism to create a new kind of spiritual pilgrimage, a communing with God with took place in nature, away from cities.
Into this mix walked a Boston Protestant minister by the name of William Henry Harrison Murray, who published a book in 1869, Adventures in the Wilderness, that described camping in the Adirondack Mountains of New York state in such colorful and accessible terms that it was a huge hit. If it were today, it would by a NY Times bestseller and an Oprah book pick. And because it also described the hows and whys—where to go, what to bring, who to hire as a guide—it ignited a massive rush of people into the woods that continued for years.
As National Parks were set aside those also became destinations, as people traveled West by train from the Atlantic states to spend weeks in Yosemite and other places they read about in magazines and newspapers and books.
That was followed some decades later by the next big leap in camping provided by the automobile. Once the car could transport people to all manner of destinations, auto camping became a big push. You could load a full set of gear onto the car or even attach a trailer and set off in relative comfort. No riding a train and then a horse-drawn wagon provided by a guide. Instead, you traveled on your own, by your own itinerary. By the late 1930s, camping had become a huge national pastime, all impelled by the desire to get out of the urban rat race and into the tranquility and authenticity of nature for a spiritual reconnection with the true American spirit, at least that which people thought was true. Read More and Comment
Review: Heroism and Genius: How Catholic Priests Helped Build—and Can Help Rebuild—Western Civilization
The thesis of [amazon_textlink asin=’1621640140′ text=’Heroism and Genius: How Catholic Priests Helped Build—and Can Help Rebuild—Western Civilization’ template=’ProductLink’ store=’bettnetlinks-20′ marketplace=’US’ link_id=’aba32a9f-faf8-11e7-80e8-5d2bcd877dea’] is that the whole structure of Western civilization, every major institution, all of its intellectual, entrepreneurial, and cultural accomplishments can be traced to the work of innumerable priests over the past 2,000 years, both famous and faceless.
I have to admit that Fr. William Slattery provides a compelling case that the history of the West, in ways both surprising and unsurprising, owes nearly everything to the Church. But that’s my small quibble. In almost every example given, while the contributions of the ordained clergy of the Church was vital, the contribution of laypeople was just as vital.
Fr. Slattery does acknowledge this early on:
Allow me, however, to clearly underline what this assertion about the key role of priests does not mean. It does not assert the untenable claim to some type of monopoly on achievements: priests obviously hold no property rights on all the heroism, nobility, and genius of a thousand years. Many Catholic laypeople contributed enormously to building the new civilization.
[…]
Allow me, however, to clearly underline what this assertion about the key role of priests does not mean. It does not assert the untenable claim to some type of monopoly on achievements: priests obviously hold no property rights on all the heroism, nobility, and genius of a thousand years. Many Catholic laypeople contributed enormously to building the new civilization.
I don’t disagree with a bit of that, but I don’t think this book necessarily builds the case for it either. On the other hand, whatever the book’s subtitle or thesis, what it does do is provide a look at the remarkable contribution of the Church in the Dark Ages, Middle Ages, and Renaissance to building a better world that we continue to benefit from today.
What Heroism and Genius does best is to strip away the accumulated cruft of centuries of “black legends” concocted by the Protestant reformers as well as Hollywood inventions that collectively created this image of the time between the fall of the Roman Empire and Martin Luther’s 95 theses as an unrelieved slog through the muck and mire of superstition that left 95% of the populace as virtual slaves serving privileged and backward-thinking robed masters. In fact, as presented by Fr. Slattery, the Church—in her priests, bishops and laypeople—advanced the cause of humanity in great leaps.
A Night Out with Alton Brown’s Eat Your Science Tour
I’ve watched every episode of Good Eats, both seasons of Feasting on Asphalt, and the one season of Feasting on Waves. I’ve got the cookbooks. I listen to the Alton Browncast. I even pepper my everyday conversation with references to unitaskers and refer to stuff that isn’t fit for eating with “That is not good eats.”
I am an Alton Brown fan.
So when I heard six months ago that the current leg of his touring show “Eat Your Science” would be coming through Boston this weekend, I knew what I wanted for my birthday. So I picked up a couple of tickets, put the date on my calendar and waited.
It was a rough week this past week. On Tuesday, I got to sit with a dying friend for what is probably the last time. On Thursday, I had a very long day working a banquet for my day job, spent all day Friday editing audio, video, and photos from the event, and then had a board meeting on Saturday morning. I was wiped. But by Saturday afternoon I was energized and excited for the show.
Leaving the kids with grandma, Melanie and I headed into the city for dinner and the show. We were going to get sushi at this trendy new place, but it was packed so we headed across the street to one of the best known Vietnamese places in Boston, Pho Pasteur. That was indeed good eats.
For the show itself, the entry lines were long and nearly every one of the 3,000 seats was filled. We had a small glitch going through security as I had forgotten to leave my Leatherman multitool at home1. I thought I was going to have to choose to lose the tool to get into the show or potentially miss the beginning to run back to the car. Luckily, the head of security had pity on me. After all, it’s an Alton Brown show and I was carrying a multitasker.
The show itself was a lot of great laughs. It’s not a cooking demonstration show. Alton is the first to admit he’s not a chef. Think of it more like a cross between a stand-up routine, a magic show, and an episode of Whose Line Is It Anyway?
The first part of the show featured a bit exploring what Brown would do if he were the god of food, including ending the reign of Sriracha as a trendy food with a song called “Sriracha” sung to the tune of “Maria” from West Side Story. He also started an interactive bit in which he would make all the rats in the world taste like bacon that was supposed to include participation from an audience member, but the woman acted all weird and he ended up having to abort. There was also a very funny story involving breaking tortilla chips, a late-night visit to the refrigerator and an old blind dog.
Next was another audience interaction in which a woman was brought up from the seats to pick a terrible cocktail recipe at random, which would then be improved by the application of science and liquid nitrogen. This one worked out much better.
After intermission, most of the time was talking about popcorn, including one of Alton’s signature mega-cooking constructions, in this case a massive rocket-shaped hot air popper. This also included an audience member and was very funny. Finally, there was a Q-and-A featuring questions gleaned from audience members over Twitter.
All in all, it was a great show with lots of fun and lots of laugh, showcasing Alton’s showmanship, his rapport with his audience, and his great improv skills.
It was also a great night out for me and Melanie, with just a few downsides. The Wang Center’s seats have about 16 inches for your knees, which was torture on Melanie, plus the seats were about 16 inches wide, which was torture on me. And up where we were sitting it was crazy hot and humid, especially since we dressed for late October, not midsummer. Getting home also took forever, probably because of everybody going out for Halloween weekend, but that wasn’t terrible since we got to have good uninterrupted conversation in the car.
On the whole, however, it was all worth it to see Alton Brown, who I’ve watched and followed for years and admire for his approach to food, but also to how to live like a gentleman. The next time he’s on tour, I hope we can see him again. Next time we’ll spring for better seats though.
- It is, after all, part of my daily carry. ↩
Why I Am Catholic (and You Should Be Too): A Book Review
There are lots of books that outline all the reasons one should give up atheism or other religions and become Catholic and with good reason: Because the path to the Catholic faith has its origins in many places and wends its way through a myriad of obstacles, challenges, and objections.
Brandon Vogt—one of the smartest, engaging, and energetic young Catholics out there—has written a new book, “Why I Am Catholic (and You Should Be Too),” that offers his own take on why one should consider the Catholic faith, a take that is aimed directly at the “nones”, the large and growing percentage of mostly young Americans today who tell pollsters that they have no religious preference, and does so in a way that should appeal to a younger audience, characterizing becoming Catholic as a way of “joining the Rebellion”, rather than giving into a massive institution.
I’ll admit it’s a weird decision. It goes against the grain. It’s radical. It is, in a word, rebellious.
In this concise, yet compelling book, Brandon outlines the reasons why anyone seeking the truth should become Catholic, using arguments both old and new. Brandon is an engineer by training and a philosopher by avocation so it’s no surprise that the book and its arguments are laid out in a logical progression, from whether God exists, to the necessity of religion vs. pure spirituality, to the supremacy of Christianity over other religions, to the Catholic Church. Read More and Comment
Why Did Leia Seek Out Obiwan Kenobi Now?
As I was falling asleep last night, after having watched a Star Wars Rebels, I had a sudden thought: Why now? The new movie Rogue One will end where Star Wars: A New Hope begins, with the delivery of the Death Star plans.
But my question is this: Why was Princess Leia delivering the plans to Obiwan Kenobi. From the trailer for Rogue One, it’s very clear that it is the Rebellion, lead by Mon Mothma, who sends Jyn Erso and her team to retrieve the Death Star plans. So why aren’t the plans delivered back to Mon Mothma? At the beginning of A New Hope, Leia’s ship—which was presumably at the battle where the plans were stolen—is racing back to Alderaan. As the opening crawl writes:
It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star, an armored space station with enough power to destroy an entire planet. Pursued by the Empire’s sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy…
So, intercepted by the Imperial Star Destroyer, Leia instead makes for Tatooine. Why? In her hologram, she tells Obiwan that she was sent by Bail Organa to get him to help in the Rebellion.
General Kenobi, years ago you served my father in the Clone Wars. Now he begs you to help him in his struggle against the Empire. I regret that I am unable to present my father’s request to you in person, but my ship has fallen under attack and I’m afraid my mission to bring you to Alderaan has failed. I have placed information vital to the survival of the Rebellion into the memory systems of this R2 unit. My father will know how to retrieve it. You must see this droid safely delivered to him on Alderaan. This is our most desperate hour. Help me, Obi-Wan Kenobi, you’re my only hope.
And thus my question:
Why now?
Update: Having watched Rogue One after writing this, my question has been answered to some degree, but not completely.
Tolkien: The Movie
New Line Cinema has announced it will be making a new J.R.R. Tolkien movie. No, not one based on his books, but based on the author. It will be a biography.
Middle Earth is described as following Tolkien’s "early life and love affair with Edith Bratt," as well as his service to the British Army during the First World War. The film, to be written by Angus Fletcher, is reportedly based on years of archival research on Tolkien’s life.
I don’t know Fletcher, but I know that if they don’t treat his deep Catholic faith with respect, this won’t be worth watching at all. His faith animated him through the mot important moments of his life.