On the latest episode of Raising the Betts: In the midst of this crisis, the Betts stop to ponder what positive effects on faith and culture can result from weeks or months of society-wide quarantine. They also discuss how the family is praying through this time, as well as a fun creative social activity they’re engaged in.
I’m sometimes asked about my podcasting workflow, how SQPN goes about recording, editing, distributing, and promoting our shows. This is the third in a series of posts that explain the multiple steps that take me from the beginning to the end of the process for each show we produce. The first post was about my hardware setup, the second was on research, prep, and organization, and the third was how I record the shows.
After I finish recording a show and I’ve received all the files from others, I store them in a Dropbox folder until I’m ready to edit. My editing software of choice is Adobe Audition, a powerful application that is part of the Adobe Creative Suite. In addition, I use a set of audio processing plugins called Izotope RX 7 Standard.
I should give a disclaimer right here up front: I am not an audio engineer nor an expert sound editor. I know just enough–self-taught, helped by friends, and gleaned from numerous YouTube tutorials–to make our shows listenable. There are other people who are much better sound editors and we are lucky enough to have Victor Lams, who volunteers to help edit some of our shows, especially those with long lead-times for editing. But most of the editing falls on my shoulders at this point, until at least SQPN gets to a financial point not only where it’s breaking even, but with enough surplus to pay a real sound editor.
That said, here’s what I do.
On the latest episode of Raising the Betts, the Betts this week deal with a cascade of kitchen plumbing messes, including a new dishwasher, a falling sink, and new plumbing under the sink; enroll in Merit Badge U; race in the Pinewood Derby; review Spenser: Confidential and Knives Out as well as Eifelheim and The British Are Coming; and have some more great recipes that are good for Lent, including a great soup based on a Moroccan chickpea and lentil soup.
I’m sometimes asked about my podcasting workflow, how SQPN goes about recording, editing, distributing, and promoting our shows. This is the third in a series of posts that explain the multiple steps that take me from the beginning to the end of the process for each show we produce. The first post was about my hardware setup and the second was on research, prep, and organization.
When it comes time to record a show, I rely on a couple of pieces of software. Now, I know some podcasters prefer to record only to a hardware audio recorder as a failsafe against a software crash taking out the whole recording. But that was back in the days when Skype was a lot less stable than it is now and more prone to crashing and taking everything with it. I also think those people tended to be recording on Windows.1
My main recording software is Audio Hijack from Rogue Amoeba. This is modular software that allows you to construct an audio workflow using block-like structures. It works in conjunction with another Rogue Amoeba product called Loopback, which allows you to route audio in non-standard ways around your computer.
While Dom takes the boys on a Cub Scout camping trip to New Hampshire, Melanie goes to the farmer’s market and then later takes all the kids to a bird-watching wildlife sanctuary. Plus Moon Oreos and Father’s Day and livable neighborhoods.
This week, Dom and Melanie recount yet another emergency room adventure, get your taste buds revved with what they’re been cooking (and grilling), revisit Brideshead, and talk about the art of Biblical translation.
Melanie and I have just launched a brand new project into the world. We have a new podcast we’re doing together called Raising the Betts. It’s part of the StarQuest Media network, of which I am CEO, and despite having created and been part of a dozen different shows and podcasts over the years, it’s the first time I’ve been able to get Melanie in front of a microphone!
In this first episode, we talk about our backgrounds, how we met, we dated, we got married, and we had kids. We also preview some of the topics we’ll be discussing in the future, like homeschooling, cooking, our trips both near and far, the challenges of marriage and parenting, and fun stuff we’re doing around the house. We’ll also talk about books, TV shows, movies, music, and art, as well as current events and news stories that particularly affect us or make us passionate. And of course, we’ll talk about our Catholic faith, whether it’s something that comes up with the kids or part of Melanie and my spiritual lives.
We hope you’ll give it a listen, subscribe, share it with others, and let us know what you think.
I’m sometimes asked about my podcasting workflow, how SQPN goes about recording, editing, distributing, and promoting our shows. This is the second in a series of posts that explain the multiple steps that take me from the beginning to the end of the process for each show we produce. The first post described my hardware setup.
Before I record a podcast, there’s a certain amount of work that needs to be done. I keep track of all our shows and the individual episodes and where they are in the process using the relational database tool AirTable. The database is broken down into a series of views either by show title or specific filters like “In the edit queue” or “in the release queue”.1
Each record has the episode title, episode number, the date and time that the recording is scheduled (if any), the release date of the show, current status (i.e. idea, scheduling guests, recording scheduled, edit queue, posting scheduled, posted), series title, assigned editor, host, guests/co-hosts, episode description, editorial notes, link to the episode on the SQPN site, and then specialized fields related to particular shows (e.g. which Doctor is it, the Doctor Who season, Doctor Who or Star Trek original air date; the Mysterious World category; the Star Trek series and season, etc.) There’s also a database of the podcast panelists and guests and their contact information as well as databases for tracking the picks of the week for The Secrets of Technology and Let’s Talk.2
Podcasting is big right now as seen by the big media companies moving into the podcasting space now. The Boston Globe writes about the podcasting explosion locally and nationally, including Spotify’s acquisition of Gimlet Media and Anchor and how heavily invested in it that public radio entities are getting.
Podcasting is still not easy (yet) and there’s a significant learning curve if you want to do it right. It’s also difficult to stand out from the pack of all the other podcasts out there. In some ways, it’s like the days when blogging was transitioning from a hobby that a few people were turning into careers into professional advertiser-supported media platforms.
The article talks about the distributed nature of podcasting and how it would be a shame if one company became the gatekeeper and arbiter of podcasting, by which they seem to mean Apple, which had the first major podcast directory (and named podcasts after the iPod) but has not yet tried to control or monetize it. And while I’d guess that most people still find podcasts through Apple, there is a lot of competition in directories by Google Play, Stitcher, TuneIn, podcast apps, and newcomers top the space like Spotify and Pandora.
But podcasts still have the problem that they’re hard for average people to find and consume. They have to download apps and subscribe to feeds, if they can find them, or listen to shows in open web browsers. It’s not like saying, “Watch that new show on Netflix or Hulu or Amazon Prime.”
But it’s getting easier. If you have an Amazon Echo or a Google Home, you can say, “Alexa/OK Google, play [Podcast Name] podcast,” and as you include the word “podcast” at the end, it should play it with no further fuss.
Of course, I have a vested interest in this whole conversation as the head of a small Catholic non-profit podcast network. I certainly wouldn’t be averse to some big player wanting to donate/invest money in our operation to help us keep going and reach more people.
I’m sometimes asked about my podcasting workflow, how SQPN goes about recording, editing, distributing, and promoting our shows. Right now, for the most part, this is a one-man operation. However, we’re growing to the point where I’m going to need to start bringing on some help and handing off some of these elements to other people. So what follows is a series of posts that explain the multiple steps that take me from the beginning to the end of the process for each show we produce. The first step involves the hardware setup.
My office at home is where I do my podcasting. I have a big Ikea desk on which sits my computer and a second monitor and microphone. Actually “sit” isn’t technically true. Both the 27″ iMac and the 27″ secondary display are on separate swing arms that allow me to move and reposition them independently as needed. On a small rolling cart to my right sits my Mackie ProFX8 mixer. It’s a bit overkill for a single microphone setup, but I anticipate doing multiple microphone recordings in my office in the future and this will work well for that. The Mackie is connected to my Mac via USB.
My microphone, an Audio-Technica ATR2100, is connected via XLR to the mixer through a Cloudlifter CL-1 microphone pre-amplifier. The microphone hangs off of a Rode PSA1 boom arm and a shock mount along with a pop filter.
Update: I’ve replaced my ATR2100 with a Rode Procaster, which is the next step up in quality. I think it provides a better sound for my voice type and it’s better at recording just my voice.